Defending Middle Earth Tolkien: Myth and Modernity ? 1 Defending Middle Earth Tolkien:
Post on 22-Jun-2018
1 Defending Middle Earth Tolkien: Myth and Modernity by Dr. Patrick Curry ISBN 0 261 103717 HarperCollins 1998 US Edition 2004 Reviewed by: Tony Shell This excellent book by Dr. Patrick Curry addresses this key question: do Professor Tolkiens tales of Middle Earth really matter? Dr. Currys answer can be summed up as a resounding yes, and contained within his response is an exploration of the relevance of mythic tradition in our contemporary world of ideology and industrialism. Mythic folk tales are neither fantasy nor escapism, for they contain those cultural values and beliefs that give us (usually in a subliminal way) the wisdom acquired by an enduring people. Patrick Curry describes this wisdom in the unified context of community, nature and spirituality. A reading of such mythology therefore calls for an ability to respond within this context an ability increasingly being denied to us by the modernizers and the political progressives. In the introduction to his book Patrick Curry draws our attention to the fact that although Tolkiens stated intention was to recreate a mythology for England, his tales of Middle Earth have immense appeal throughout the whole of the modern world. Dr. Curry argues that this global appeal is due to the global nature of the problems that this mythology helps us to face the excesses of authoritarian social control, and out-of-control technology, of the new global order. A mythology must have contemporary applicability within its own host community for it to survive and evolve, but that does not exclude it having a more general (or even global) relevance. In terms of Tolkiens storytelling, Patrick Curry addresses, and dismisses most convincingly, accusations of class snobbery, social elitism, racism and of fascism. Patrick Curry sees in the character of the Hobbits, and the organisation of The Shire, a portrayal of an non-political community in effect an anti-authoritarian yeoman republic. The shire-folk are shown to be a private people (but not xenophobic) having much common decency and a love of their homeland in its most acceptable form not overt nationalism, but perhaps the kind of gentle patriotism (as expressed, for example, by George Orwell in his 1945 essay: Notes on Nationalism). Tolkiens ability to provide an extraordinarily sublime feeling of immanence and essential vitality to the natural world is examined in detail by Patrick Curry. He explores the way in which a love of place and sense of belonging can resist the forces of homogenizing modernity as he puts it: such local roots also resist manipulation by abstract political ideologies. 2 This is the proposed radical nostalgia (a concept he attributes to Fraser Harrison) that provides a rationale for activism - for an authentic response to the wretchedness of globalized industrial exploitation. And, in a particularly insightful piece of analysis, the enchantment of mythological tales (such as Tolkiens) is contrasted to that of the disenchantment of the modernizers of the latters preoccupation with reductionism and determinism, and with the brutally manipulative magic of machinery and ideological control. It is clear that Patrick Curry is opposed to these forces of homogenization: what we need to recognize are the bonds linking nature, identity and place, whereby the heterogeneity of local distinctiveness suggests richness: historical, cultural and ecological. The power of the One Ring (to deceive, corrupt or seduce) could be viewed as analogous to the relentless propaganda that underpins the illusion of inevitable progress and the dogmatic pursuit of power and ultimate purpose of Sarumans Knowledge, Rule, Order. However he also makes it very clear that he sees in these mythic stories an encouragement against despair examples of the physical courage and spiritual strength needed to confront such evils. Therefore, as Prof. Tom Shippey has similarly observed, these tales of Middle Earth are true to this mythic tradition; they may help us to clearly see the reality of our own circumstances and perhaps, just as Merrys blowing of the silver horn of Eorl raises the Shire, they may also galvanize us to action: If Tolkien were to choose a symbol for his story and its message, it would be, I think, the horn of Eorl. He would have liked to blow it in his own country, and disperse the cloud of post-war and post-faith disillusionment, depression, acquiescence, which so strongly (and twice in his lifetime) followed on victory. And perhaps he did. [Tom Shippey, J R R Tolkien: Author of the Century, HarperCollins 2001, pp 220-221] Likewise, Patrick Curry comments: What is The Scouring of the Shire, politically speaking, but an account of local resistance to fascist thuggery and forced modernization?. Yes, it is precisely that. An Afterword has been added to the 2004 US edition of this book (the edition under review) and includes references to more recent global events since 1997 (including the worldwide release of the Peter Jackson films of which Patrick Curry clearly had reservations). Again, the reasons for the universal appeal of Tolkiens work previously explored in the original edition are re-emphasised, with a timely reminder that there are many hobbits and heroes bravely confronting tyranny on every continent and within every country. There is also a reminder that the book is not simply an ecological diatribe that it is essentially concerned with the indivisibility of community, nature, and spirituality. In the new afterword Patrick Curry states that: I wouldnt be quite so free with postmodern now; hypermodern might be better. And, indeed, this is my one (minor) quibble I feel that the ideology of postmodernism is dealt with too sympathetically. In particular there is no direct reference to the subversive promotion of popular culture by postmodern cultural theorists. Their assumption that cultures (and therefore mythologies) have no intrinsic value leads to their dismissal of the notion of cultural authenticity (Patrick Curry refers to authentic myth in respect of writers such as Tolkien, in chapter 5). For example, postmodernists would not agree with Patrick Currys criticisms of the Disney Worlds crass misrepresentation of the Faerie tradition. For example, they would insist the consumeristic products of the Walt Disney Company are no less culturally authentic than the works of J R R Tolkien. Many postmodernists are also zealous promoters of the vacuous politics of market populism. 3 This book is packed-full of splendid observations and apposite quotes, and includes a good set of references and notes. Some familiarity with Tolkiens life and work will help the reader follow the authors arguments, but this is not essential Patrick Curry helpfully provides, within the Introduction, a brief biography of Tolkiens life and a prcis of The Lord Of The Rings. This book is a good reference source for the dedicated scholar of Tolkien in particular, and of mythology in general. But most importantly this book provides a cultural (moral) context for those actively concerned with contemporary social, economic and environmental issues. The author writes in a lucid style, and his arguments are cogent and compelling. To sum up, Patrick Currys book Defending Middle Earth is highly recommended. End [This review is based upon an article by the author, first published in Amon Hen (Tolkien Society Pub.), issue 194, 2004, pages 23-25]
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